Benjamin saw Futurism as a manifestation of the aesthetization of violence.!
Luigi Russolo
Italian Futurist artist and composer (1885–1947)
Musical artist
Luigi Carlo Filippo Russolo (30 April 1885 – 4 February 1947) was an Italian Futurist painter, composer, builder of experimental musical instruments, and the author of the manifesto The Art of Noises (1913).
His prose poems, filled with fantastic themes and open rebellion against the tyranny of classic French alexandrine verses, were rediscovered by and deeply.
Russolo completed his secondary education at Seminary of Portograuro in 1901, after which he moved to Milan and began gaining interest in the arts.[2] He is often regarded as one of the first noise musicexperimental composers with his performances of noise music concerts in 1913–14 and then again after World War I, notably in Paris in 1921.
He designed and constructed a number of noise-generating devices called Intonarumori.
Biography
Luigi Russolo was perhaps the first noise artist.[4][5] His 1913 manifesto, L'Arte dei Rumori (The Art of Noises), stated that the industrial revolution had given modern men a greater capacity to appreciate more complex so